Apple TV+
“Was I hired for the permanent anchor position because I’m black?” Christina Hunter asks UBA board chair Sybil Richards. This is a memorable moment from this season on Apple TV+. the morning show. “But you can see my confusion, right? Because you used a clumsy racist comment to complain about my employment. Did you think I wasn’t qualified?” This scene , Christina (played by Nicole Beharie) is given a high-impact platform to tackle racism head-on after a leaked derogatory email in which she was called Aunt Jemima during a live interview. It expresses how you feel afterwards. For most of the season, Christina has been filling the gaping void left by her co-workers Bradley Jackson (Reese Witherspoon) and Alex Lexi (Jennifer Aniston). In this scene, she asserts herself in a way that is typical of the character. Almost as important as her choice of words is the maroon dress she wears on the occasion.
the morning show This production, which focuses on the fast-paced politics of morning television, is widely known for exploring topics such as cancel culture and #MeToo. Now in Season 3, the series’ powerful black women are finally getting some concrete storylines. And what’s refreshing is that viewers can see what they wear at the office and at home. The costumes, helmed by head costume designers Sophie de Rakoff, Debra McGuire, and Beth Lancaster, were once again stunning this season (De Rakoff is the main focus of Beharie’s costumes, which she has worked with for more than 20 years. (Cooperating with Witherspoon on costumes). Newsroom staples like suits, bold tops, and minimal jewelry are obvious, but this costume design team also incorporates brands like Kite, Alexander McQueen, Frame, and custom suits from Lafayette 148. And we’ve managed to take things to the next level. Harper’s Bazaar.
Lancaster will spearhead the costumes for the characters other than Witherspoon and Aniston, with Aniston’s wardrobe being handled by McGuire, who has worked with Aniston for 30 years. The items chosen for Mia Jordan (played by Karen Pittman) and Christina are playful at times. For example, Christina wore a jade top one morning while she was anchoring. “Some of the black women on the show are [are] We wear colorful pieces,” says lead costume designer Charles Antoinette Jones. air and judas and the black savior. Antoinette Jones further explains that they are the only ones in the room and says she thinks it’s to emphasize that they stand out.
Now a producer, Mia typically wears feminine tailored suits and super-high pumps in dark tones to the office (these “quiet luxury” staples give her confidence and the occasional quiet (This is the key to the fact that it is a powerful force). Mia was also spotted wearing a dark red silk slip dress at her home during the COVID-19 pandemic, while lounging in a matching two-piece set in the same shade. He has also been seen dancing with his girlfriend wearing a . She is a freelance photographer. Similarly, while at home with her husband and her daughter, Christina wore white wife beaters and gray sweatpants. This departure from what viewers normally see of these two women paints a comprehensive picture of who they are. They’re still powerful, but they’re both just relaxing because they’re in their own sanctuary, their home.
“As far as I can see, this brand is right for the genre and industry they represent,” says costume designer Ayanna James Kimani. anxiety and queen sugar. After sleeping in her office one morning, she is shown wearing a patterned cream colored pussy-bow blouse. The rest of this costume looks like armor to protect Mia from harm and racial discrimination on set. A chic maroon leather jacket, black midi pencil skirt, and black suede pumps. Mia’s character is very tough and her costume, led by Lancaster, reflects that. In her previous season, she had to find her voice, and now that she’s found it, there’s no going back.
Christina’s emotional on-air moment with Sybil (played by Holland Taylor) proves that Sybil is more than just an anchor at UBA. Known as Chris to her fictional colleagues, she is a charismatic and down-to-earth millennial who is new to the UBA world. The confrontation scene with Sybil paints Christina as a character in the series that viewers should start paying attention to, especially when combined with Beharie’s innovative dialogue. This scene is also deep and shows the power of this season’s costume design. Her ambition is encapsulated by the decision to dress her in muted shades of maroon for this scene, but it also has a deeper trend: it’s the strong shoulders of her work. You can see it. “I think the dress Nicole Beharie wears when she calls out systemic racism reminds me of a military jacket,” says Antoinette Jones. “She almost feels [rebellious]And she’s taking action. ” As Christina sits across from Sybil in a suit, it becomes clear that this scene is an arc of influence for the former.
Beharie’s character’s plotline will be further explored following the aforementioned moments. At UBA CEO Cory Ellison’s (Billy Crudup) house party in the Hamptons, she shows up wearing a perfectly tailored long-sleeved maroon sheath dress and an oversized gold chain necklace. Here de Rakoff subverts the ideals of Beharie, who wears muted tones like cream and pink. There’s a good reason for that. She comes into conflict with Leonard, the current board chairman. She uses this moment to show her stepping powers following her interview with Sybil, who got her kicked out of the board. She tasks him with addressing pay equity issues on behalf of colleagues who don’t have the luxury of lawyers scrutinizing legal language. “Since Jemimagate, I think he’s gotten 200,000 followers. Maybe I should ask them what they think,” Beharie declares in this scene. Leonard immediately said he would bring up the topic at the next board meeting.
Some of the colors used for black female characters throughout the show are bright, while others are muted. Her bold tones, which Christina often wears, create a more saturated color palette. This season, she’s wearing orange, yellow, and green. Antoinette Jones feels that the dark colors that are sometimes chosen suit Beharie and Pittman’s skin tones well. The combination of all these attractive key colors adds a unique atmosphere to important scenes where women shine. James Kimani agreed that these key colors also fit the muted tone of the show, adding about each look, especially the look worn by Beharie. What defines the scene is similar to what we see anchors wearing now. “The palette is [in Christina’s confrontation scene] It could be a nod to her combative and courageous attitude at this time,” added James Kimani.
In episode 7, Christina will wear a Valentino dress designed by Pierpaolo Piccioli. This further speaks to how the costume design team utilizes color to highlight the characters. “For me, Nicole’s dress was the centerpiece of the Valentino Pink PP Collection. I knew Nicole would wear it in a way that brought life and movement to both the dress and her character.” De Rakoff said in an email. “In my head, it had to be this dress. When Nicole first stepped in there, her whole room came to life. She owned it and she loved it. I made it my own.”
With the season finale just around the corner and all the characters living and breathing in the world outside of the office, it’s important to note that their outfits reflect that well. Most importantly, the costume design team, led by de Rakoff, portrayed Beharie and Pittman as influential, powerful black women. Even in emotional moments, their outfits convey that they must always dress for the part no matter what. The clear decisions made emphasize the racially coded and sometimes chaotic scenes. the morning show This season. Overall, the contemporary works selected for this series are excellent. These Black women aren’t just given a script, they’re portrayed in a unique light through their wardrobes, advancing the writer’s message and each character’s story.
