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Blessed and Beautiful: The Evolution of Black Women’s Style

by Radio Chew
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Blessed And Beautiful: The Evolution Of Black Women's Style

Freshly pressed clothes, well-coiffed hair, and freshly polished shoes are elements of “fashion.” Using different fabrics and materials to create detailed clothing that reflects society’s trends has been a talent for centuries. Fashion is constantly evolving and each generation brings new trends. However, Black women are often ignored in discussions about new trends and creations.

In the United States, Black women’s fashion journey began during the era of enslavement, marked by forced removal of clothing that signaled individual or tribal identity and laws regulating appearance.

When given the opportunity, Black women used clothing as a form of rebellion against slavery and to express power, identity, and ancestry. This expression was often seen in head-wraps, brightly coloured fabrics, and patchwork.

Black women also demonstrated their fashion sense through their labor. Skilled in spinning, weaving, dyeing, and sewing. These skills were essential for survival and often meant that their work was worn by slaves. As seamstresses and seamstresses, black women created clothing that set trends for white society.

After emancipation, black women pursued careers in the fashion industry and wore clothes that reflected popular trends. The early 20th century saw a variety of styles emerge, including an evolution in silhouettes, lace and embellishments, changes in the length of skirts and dresses, headpieces, and a preference for simple yet elegant clothing.

Studio portrait of a woman standing next to a pedestal holding a wicker vase, circa 1920s. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kennan Research Center at the Atlanta History Center

Woman standing next to a clapboard house, 1922. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center

Woman in a shrub garden, circa 1930s. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center

A woman in a coat and hat stands in the garden in front of shrubs with agave plants and bare trees in the background. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center

A woman in a garden with perhaps Shasta daisies, ferns, irises, butterfly bushes, shrubs, and grasses. She has a house and an annex in the back. 1938. Roanoke Photo Finishing Company, Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center


Woman standing on the stoop of a wooden shingled house, circa 1940s. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center

Woman standing in a garden with probably rose bushes, 1949. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center

A woman stands on a lawn with what appears to be a southern shrub and a house with a lattice-covered foundation vent behind it, circa 1950s. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center

Woman standing on a lawn with a walkway, white-edged rocks, hostas, blooming trees, and a house in the background, circa 1950s. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center

A woman standing next to an urn on a pedestal, probably planted with sedums, and a garden with perhaps Lady Banks’ roses, trellis, fence, and house in the background, 1956. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center

Woman in a garden next to a large kettle pot or planter with probably petunias and other flowering plants, chairs, shrubs, lawn and a house in the back, 1962. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center


In the mid-to-late 20th century, fashion trends coincided with social changes. From the 1950s through 1960s, black churches were not only the centre of the civil rights movement, but also the centre of fashion. The concept of “Sunday best” encouraged activists to wear appropriate clothing for both worship and marching. Women protested wearing dresses, skirts, and “proper shoes” to show off their dignified attitude toward clothing.

In contrast, the Black Power movement of the 1960s and 1970s encouraged black communities to reject face-oriented politics. One of the ways women embraced this ideology was through their hair. By wearing their natural hair and styling it to accentuate their curls, fashion became a symbol of protest and self-acceptance.

Circa 1970s, woman standing on sidewalk with front yard of house, shrubs, trees, cars, lampposts, street behind. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center

A view of an unidentified contestant at the 1972 Miss Black Teenager Pageant in Atlanta, Georgia. Boyd Lewis, Boyd Lewis Photography, Kenan Research Center at Atlanta History Center

Woman sitting in a car in a grassy area with coniferous and cedar trees and mountains in the background, circa 1970s. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center

A woman kneeling next to white rhododendrons and other shrubs, with houses and buildings and mailboxes behind her, circa 1980s. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center

A woman stands on a walkway next to a wavy-edged garden bed filled with red roses and other plants. Bushes in rear driveway, house, camper, 1989. Black American Gardens and Cultural Landscapes Visual Arts Materials, Cherokee Garden Library, Kenan Research Center at Atlanta History Center


Fashion is constantly evolving, but what remains constant is the care, thoughtfulness and creativity woven into every seam and built into every headpiece.

Explore album to see more photos of black women dressed in their finest. Also, join the Atlanta History Center’s 2024 Martin Luther King Her Junior Day Celebration to learn more about the history of Black women in fashion. The event will feature Shintani Sumpter, associate professor of fashion design at Clark Atlanta University.

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